Aeschylus

Studies of special topics relating to Aeschylus' plays include Anthony J. Podlecki, The Political Background of Aeschylean Tragedy (1966); A.F. Garvie, Aeschylus' “Supplices”: Play and Trilogy (1969); George Thomson, Aeschylus and Athens: A Study in the Social Origins of Drama, 4th ed. (1973), a Marxist study; Anne Lebeck, The Oresteia: A Study in Language and Structure (1971), on the significant connections of imagery; R.P. Winnington-Ingram, Studies in Aeschylus (1983), a collection of insightful essays; Thomas G. Rosenmeyer, The Art of Aeschylus (1982), a critical study; D.J. Conacher, Aeschylus' “Prometheus Bound”: A Literary Commentary (1980); Mark Griffith, The Authenticity of “Prometheus Bound” (1977), a powerful attack on authenticity; and Oliver Taplin, The Stagecraft of Aeschylus: The Dramatic Use of Exits and Entrances in Greek Tragedy (1978), on dramatic techniques and meanings.